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Critical Collective
Satyajit Ray’s colossal presence in Indian cinema is in no need of commendation. His centenary is expected to further illuminate Ray as a storyteller, author, graphic-artist, publicist and illustrator. Despite sporadic efforts, the different manifestations of Ray’s work have so far been seen in segregation, refusing as it were, to probe into an omniscient meta-narrative that could have, undetected, informed his harvest. Are we only to contend then, with the different faces of a polygonal genius? Or is there in…