The clown is a very powerful archetype Published @ The Bengal Post Poster of the long-running play While watching Hamlet, the Clown Prince at GD Birla Sabhaghar, a member of the audience was going to pick up a call on his mobile. His seat was far into the auditorium, away from the stage and he must have thought that a quick word on his mobile would not harm the proceedings! But to his complete dismay, someone in the dark rushed forward and pleaded with him to please forgo the call. The man found that… By Sayandeb Chowdhury | Jan 2, 2011 | Tags: Profile, Theatre | Read More
A good actor must be an athlete – philosopher Published @ Bengal Post Debshankar Halder in and as Oedipus Even in the dedicated community that makes up Bengali group theatre, he stands out. The director of his latest play calls him a miniature wonder. He is the only actor in recent memory who has had a festival dedicated to him. He is also perhaps the only actor whose name alone draws audiences to the theatre in a culture whose appeal historically has been the group, the play or the director. Currently, he is… By Sayandeb Chowdhury | Nov 21, 2010 | Tags: Interview, Theatre | Read More
A clever homage to Holmes Published @ Bengal Post Story Tellers’ 221B Baker Street, which debuted at the recent Airtel Lifestage Theatre fest is as much an engaging bit of slice-of-life play as it is a constant literary excavation. The play is set in the house of noted economist Ankan Mitra, who has returned to Calcutta after a prolonged stint abroad to teach at a university. A pedantic, scholar and a proud man to boot, Mitra is as easily admired and admirable as he is easy to be disliked and… By Sayandeb Chowdhury | Nov 14, 2010 | Tags: Review, Theatre | Read More
Theatre does have a future in India Published @ Daily News & Analysis He is a multifaceted, Oxford-educated intellectual: playwright, film actor, scriptwriter and producer. He has received several major awards— Padma Shri, Padma Bhushan, the Jnanpith and the Sahitya Academy Awards and has been the director of the Nehru Centre in London. His plays Tughlaq, Hayavadana, Nagamandala, Agni Mattu Male (The Fire and the Rain), most of them complex re-enactments of Indian myths, are landmarks of Indian theatre. In Mumbai for his latest play Bikhre Bimb (A Heap of Broken Images), Girish Karnad speaks to Sayandeb Chowdhury about his latest play… By Sayandeb Chowdhury | Sep 3, 2006 | Tags: Interview, Theatre | Read More