Tag: Uttam Kumar

Uttam Kumar re-engineered the cultural economy of popular cinema in Bengal and went on to helm the star-era all by himself, marking it with over 200 films. A significant share of them added little more than numbers to popular cinema’s infamous logic of accumulation. But about fifty films have remained re-collectible in Bengali cultural memory, repeatedly seen, cited and recommended. This is an impressive number by any measure, which is further emboldened by the commercial heft of his films which…

In 1951, a cartoon – Bengal’s Hero  appeared in the satirical periodical Achalpotro. The cartoon showed a waddling baby with the face of a struggling actor, who was seen holding within his embrace the neck of his much-older beloved, and uttering, with saccharine smugness,  ‘Dear, do you love me?’ The baby’s face was that of Uttam Kumar, about 25 at that time. In 1951, Uttam was working as a clerk at a Calcutta Port office and was moonlighting as a…

Poster of Satyajit Ray’s Nayak In 1971, Satyajit Ray took his turn in defining what he means by a star. “A star is a person on the screen who continues to be expressive and interesting even after he or she has stopped doing anything.” This was as fair and ingenious a definition as any. But how long is that ‘even after’, one might want to ask. This is because the star in question is none other than Uttam Kumar, for…

কেমন ছিলেন ব্যক্তি উত্তমকুমার, মৃত্যুর চার দশক পরে সেটা নিয়ে কিছু বলার চেষ্টা প্রয়োজনহীন। মানুষ উত্তম মিশুকে; বন্ধু উত্তম আড্ডাবাজ, পুত্র উত্তম মাতৃভক্ত; ইন্ডাস্ট্রির ‘বড়দা’ উত্তম দানশীল; প্রেমিক উত্তম মেদুর; শ্বশুর উত্তম স্নেহশীল; অগ্রজ উত্তম অভিভাবকসম; পেটুক উত্তম ভোজনবিলাসী ইত্যাদি অজস্র আদিখ্যেতা উত্তমকুমারকে নিয়ে ছড়িয়েছিটিয়ে আছে। গত দু’বছর উত্তমকুমারের সিনেমা নিয়ে একটি বইয়ের গবেষণায় বার বারই চোখে পড়েছে এই রকম গদগদ অসংখ্য স্তুতি। সত্যি বলতে, ঘরে ঘরে এ রকম অনেক ব্যক্তি আছেন, যাঁরা দাদা, সন্তান, শ্বশুর, প্রেমিক হওয়ার বিভিন্ন পরীক্ষায়…

Booklet of the unforgettable romance Saptapadi (The Seven Steps, 1961). On Uttam Kumar’s death anniversary on July 24, remembering the Bengali hero for the ages – the natural actor who won over generations with his charm and persistence. Sometime in May 1966, Satyajit Ray called Uttam Kumar. “Uttam, Nayak premieres tomorrow at Indira Cinema. I hope you will be there,” Ray reportedly said. “But Manikda, the press and public will be in attendance. Do you think I should go?…

Poster of Tapan Sinha’s landmark Jotugriga, (The House of Wax, 1964). Bengali cinema has long lost its Madeleine and has also forgotten that it has lost it. With the new film Prakton, the forgetting is now complete. After watching Sairat, a Bengali professional based in Bombay posted a moving comment on his Facebook wall. The post said how the Marathi film reminded him of his parents – refugees and also ardent Communists in post-colonial India – who had an inter-caste marriage in…

Posters of Uttam Kumar films from the collection of Mr Parimal Ray. 24th July, marked permanently in the crowded annals of Kolkata as a day when its greatest screen actor breathed his last, is also a day of reckoning for the Bengali film industry. Uttam Kumar died at 53, leaving behind an army of admirers, a whole industry that was bent in a bow and entire demography that froze on its humble legs, unable to believe that he could die,…